Not so sure about the woke part. The ethnic appellations in All in the Family, much like Chappelle's The Niggar Family, would drive the cancel flakes batty.Norman Lear was ahead of his time. Look at all the shows he put on the air back in the 70s and 80s. Many of them featured predominantly black casts.
If he did those same exact shows today, people would be calling him "woke".![]()
I mean, I never thought about skin color when I was watching a show. If it sucked I didn't watch it. I think what's getting mixing up is talent with ZERO talent and the contrived push it receives.Norman Lear was ahead of his time. Look at all the shows he put on the air back in the 70s and 80s. Many of them featured predominantly black casts.
If he did those same exact shows today, people would be calling him "woke".![]()
That's actually my point. Those shows weren't woke at all. But in today's over-the-top and hypersensitive climate where everyone is using buzz words without context or without even knowing what those words actually mean, they would be labeled as such.Yeah, not seeing the woke thing at all. Fred Sanford and George Jefferson, woke? Now that is funny.
They might be seen as minstrel or as caricatures.
He was on top with all the family and Jeffersons and Sanford and son. But then, as far as sitcom go, he was overtaken by threes company, Laverne and Shirley, and happy days, which were less edgy.3's company i believe
Correct, he did good times I believe one day at a timePRETTY SURE Norman Lear did NOT produce or create three's company. Great show though
You think so. I watched it but realized one day it wasn't funny at all. John Ritter's pratfall humor was like watching a 6th grader. Suzanne Sommers did the dumb blonde well, that other women was average in every respect.PRETTY SURE Norman Lear did NOT produce or create three's company. Great show though